VI. · Notes

Notes

Working notes rather than a blog — and, below, a short account of who is keeping them.

§ 1
Lives
Dearborn, Michigan
Lines
Erdélyi; Szabó

About me

Aaron Voitus in tenth-century Magyar dress: a red wool kaftan with woven braid at the collar and cuffs, a fur-trimmed pointed cap, an ornamented leather belt with cast metal mounts, a hanging pouch, and a sabre at his side, standing in open grassland.
Photograph of the author; the dress is digitally generated

I was born in Brooklyn in 1990 and raised in California, Ohio, and Florida before settling in Michigan, where I live with my wife in a bungalow built in 1944. I am a collector, a writer, and a family historian.

My mother's family is Hungarian and Transylvanian — the Erdélyi line, out of Nagyvárad in Bihar County, the city that keeps turning up on the walls of this house and in the pages of this site. I have stood in the fortress there. Most of what I work on runs back to that one place in one way or another.

I am not a professional historian, and I don't claim to be one. I am an amateur in the older sense — someone who does this because he loves it — who holds himself to professional standards because the material deserves them. That is what the sourcing and the labelled inferences throughout this site are for.

Three things occupy me. I edited and published my grandfather's unfinished history of the Hunyadi dynasty. I am assembling a documented archive of the family's Hungarian and Transylvanian lines, toward a printed volume. And I collect and catalogue antique prints of the places that history happened in.

The photograph above is of me; the clothing is not. The dress was generated digitally — a tenth-century kit of wool kaftan, fur-trimmed cap, mounted belt and sabre, the costume of the riders in the painting behind every page of this site, the generation that came over the Carpathians and stayed. It seemed worth saying plainly on a site that makes a point of labelling what it knows from what it supposes.

The real thing is a slower project. I am building a díszmagyar — Hungarian noble dress of a much later century — by hand and to period specification. That one will be cloth.

§ 2
Cadence
When there is something to say

What the notes are

A hard line in a translation, a parish I cannot place, a watermark I have not identified, a saint whose feast turns out to matter. Problems are posted before they are solved, which is the only honest way to post them.

A note that turns out to be wrong stays up with a correction attached rather than quietly disappearing. Expect Hungarian and Latin left untranslated where the point is the wording, and translated where the point is the sense.

§ 3
Open
Unsolved as of today

Standing questions

  • RegistersLocating the correct parish for a Transylvanian maternal line
  • PaperIdentifying watermarks in several undated impressions — including an “AR” and a mark resembling a three-leafed clover
  • BlocksMatching the “GS” monogram on a 1592 Cosmographia leaf to a named block-cutter
  • NamesTracking spellings across Hungarian, German, and Latin forms of the same surname

First written entries in preparation